Discover Hidden Soviet Cinema Gems That Inspire and Captivate

Forget the usual classics like “Operation Y” and “The Diamond Arm.” Instead, dive into a thoughtfully curated selection of Soviet films that many have yet to discover.

A captivating Twitter thread by a passionate cinephile highlights these hidden gems, each offering something unique and meaningful for every viewer.

One film I always cherish and recommend is "About Love" by Mikhail Bogin (1970). This isn’t just a movie; it’s poetry. Set in snowy Leningrad with the enchanting music of Evgeny Krylatov, it tells the story of a restorer working in Tsarskoye Selo. A must-watch!

For those moved by poignant stories, "The Wounded" (1977) portrays the lives of children in a post-war orphanage and the emotional reunion of two brothers years later. Prepare for a deeply touching experience best shared with someone close.

Early works by Sergey Solovyov hold a special place in my heart. "Heir by Direct Line" (1982) follows a young girl who believes she’s related to the great Alexander Pushkin. It’s a tender glimpse into the mind of a thirteen-year-old poet, evoking both smiles and tears.

Anime enthusiasts, rejoice! In 1976, Solovyov directed "Melodies of the White Night," a beautiful story about a Soviet composer and a Japanese pianist from Kyoto, exploring cultural connections and the universal need for love.

Simple yet profound, "Don’t Part with Your Loved Ones" (1979) delves into the complexities of a couple’s quarrel and separation. It’s a heartfelt reflection on how often we fail to truly understand each other.

Women directors shine too! Dinara Asanova’s "The Woodpecker Has No Headache" (1974) follows a seventh-grader aspiring to be a drummer, capturing the magic and challenges of youth with authenticity and warmth.

Larisa Shepitko’s "Wings" (1966) tells the story of a female pilot from the "Night Witches" squadron, living as a war legend decades after victory. It’s a poignant exploration of fleeting memory and gratitude.

The classic "To Love" by Mikhail Kalik (1968) was banned upon release for its candid storytelling. Featuring documentary-style footage and four novellas, it includes an unexpected interview with an Orthodox priest, offering a raw and honest portrayal of love.

"Life, Tears, and Love" (1983) centers on the lives of residents in a retirement home, showcasing the dignity and resilience of elderly women who support each other against loneliness and despair.

Don’t miss "Declaration of Love" (1977) by Averbakh, a film that reads like a rich novel. The characters’ genuine emotions make you both love and hate them for their authenticity.

"A Long Happy Life" (1967), the only film by poet Gennady Shpalikov, explores our determination and struggle to begin a fulfilling life, capturing the bittersweet reality of human aspirations.

Love trams? So do I! "Tram Goes Through the City" (1973) is a short film filled with respect for everyday people, featuring stories from a tram driver about her work and passengers on a now-defunct route through Nevsky Prospect.

"A Day of Sun and Rain" (1967) humorously portrays school truancy, intertwining personal family struggles and the power of friendship, all wrapped in classic Soviet cinematic charm.

"Hello, It’s Me" (1966) offers a touching glimpse into post-war life, blending melancholy and love, reminding us that life continues despite hardships.

"Searching for a Person" (1973) tells the story of relatives separated by war reuniting through the help of poet Agniya Barto’s radio program, which shared heartfelt childhood memories and reunited families.

"City Romance" (1970) is a simple, touching tale of a girl yearning for serious love and a boy unsure about it, set to the music of Karavaychuk and filled with tender Soviet-era nuances.

"Autumn," also known as "Tender Rowan Berry," was banned for its candidness. While censors objected to a few intimate scenes, the film’s real power lies in its raw, honest conversations.

"Lasting Charm" (1984) explores the encounter of two people over 50 and the obstacles that kept them apart. It’s one of the most profound Soviet films, highlighting how internal struggles can be more damaging than illness.

Less tragic but similarly heartfelt, "Late Meeting" (1979) features the timeless Batakov in a melodrama based on Yuri Nagibin’s story, proving Soviet melodramas are far from clichéd.

Another Asanova gem, "Dear, Beloved, and Only" (1984), tells the story of a desperate girl who steals a baby to gain love, sparking a generational clash with an innocent taxi driver—both characters evoke deep empathy.

And of course, "Strange Woman" (1977) imagines Anna Karenina living in the 20th century, choosing career over tragedy. Irina Kupchenko’s portrayal brings this compelling narrative to life.

For something whimsical and heartwarming, like a glass of milk with honey when you’re six and have a sore throat, watch "Every Evening at Eleven" (1969). A prank call leads to unexpected consequences, inviting you to discover what unfolds.

To conclude, I recommend exploring works by directors like Iosif Heifits, Otar Iosseliani, Tengiz Abuladze, Sergey Parajanov, as well as Khutsiev and Muratova. Prepare for a treasure trove of cinematic brilliance!

Readers have also shared additional recommendations, such as "Zhenya, Zhenechka and Katyusha," a war film about tender feelings amid harsh realities, and "Guys" by Dinara Asanova, focusing on troubled teenagers.

What lesser-known Soviet films do you love? Share your favorites in the comments!

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