The Latest Season of 'See' Brings More Drama and New Faces Fans Will Love

Get ready to meet new compelling characters, but brace yourself for a storyline that unfolds slowly and struggles to maintain its initial promise.

On August 27, the streaming platform Apple TV+ premiered the new season of the fantasy saga starring Jason Momoa. The first season, released in 2019, sparked widespread debate and mixed reviews. Creators had promised an epic tale rivaling the scale and intrigue of 'Game of Thrones.' However, critics were quick to challenge both the concept and execution, with 'See' frequently landing on lists of the year's most disappointing shows.

Despite criticism, the show attracted a large audience, leading to an early renewal for a second season even before the premiere, and now a third season is confirmed.

Following the principle of "if it ain't broke, don't fix it," the creators continued the story with minimal changes. Early reviews of the first three episodes reveal that many issues persist. The narrative struggles with pacing and often drifts into drawn-out melodrama, though several new characters bring fresh energy to the series.

Warning: Spoilers ahead for the first season of 'See.' If you prefer to avoid them, check out our curated list of top fantasy series.

A Crumbling Plot Amidst a Richly Crafted World

The story unfolds in a post-apocalyptic future where most of Earth's population has perished, and the survivors are blind. Civilization has regressed nearly to medieval times. Suddenly, the leader Baba Voss (Jason Momoa) fathers sighted twins, Kofun and Haniwa, who immediately become targets of Queen Kane (Sylvia Hoeks).

In season one, the twins grow up and reunite with their sighted father, Jerlamarel (Joshua Henry). By the finale, Queen Kane allies with her sister Maghra (Hera Hilmar), the twins' mother, while Haniwa is deceitfully handed over to the malevolent General Edo Voss, Baba’s brother.

The new season begins with Queen Kane, her sister, and their army heading to a major city to secure support from a local lord and reclaim power. Meanwhile, Baba Voss strives to rescue his daughter, who forms an unusual new friendship.

Unlike the first season, the second immediately introduces multiple equally significant storylines, bringing the series closer to the ambitious saga it aims to be. However, the core concept weakens.

Viewers have grown accustomed to a world where sightless people live by the rules of the sighted. Characters navigate stairs in unfamiliar places with ease, and background actors often move unrealistically. Yet, the sequel improves the environment: costumes are simpler, characters less polished, and the post-apocalyptic atmosphere feels even more immersive.

The main issue lies elsewhere. The series seems to repeat mistakes similar to those in 'Revolution,' a show about a world without electricity where suddenly every third character had their own power source. Similarly, the twins' abilities, once portrayed as rare and mystical, now appear common, with sighted characters present in all locations, many having little impact on the story.

If this trend continues, the show's fundamental premise will lose its impact. The world will no longer feel extraordinary, and the series’ slow pace and less engaging characters undermine its political intrigue.

Powerful New Cast Members and Overacting Veterans

To keep viewers engaged, the show introduces vibrant new characters. Dave Bautista shines as the ruthless Edo Voss, delivering a genuinely intimidating and brutal performance. His wrestling background enhances fight scenes and torturous moments, showcasing his suitability for similar roles like Glossu Rabban in Denis Villeneuve's 'Dune.'

Opposing him is Adrian Paul as the scheming Lord Harlan, whose calculated politicking and servile demeanor make for a compelling character.

However, Sylvia Hoeks’ performance as Queen Kane feels uneven. While memorable in season one, her portrayal now leans into an unnatural high-pitched voice, possibly aiming to evoke madness but often coming across as forced. Dubbing may soften this flaw.

Jason Momoa’s energetic and rugged persona suited the show’s start well, but now his portrayal of a weary, battered man sometimes feels overdone. His character’s crab-like gait even adds unintended humor.

When it comes to action, Momoa redeems himself with dynamic scenes where Baba Voss dismembers foes with sheer strength and raw ferocity. Fans hope to see more interactions between Momoa and Bautista, which would amplify the series’ intensity.

Unfortunately, action sequences are often overshadowed by melodrama.

Dialogue Over Battles

In episode three, a lengthy scene features Queen Kane and Maghra conversing for over five minutes, merely pacing a room without engaging cinematography or subtext. This moment epitomizes the season’s struggles.

The narrative frequently pauses for extended, often superficial dialogues, seemingly stretching runtime. A romantic subplot for Haniwa feels unnecessary and trend-driven, while one character notably spends most scenes sitting by a campfire.

This approach might be justifiable if the show matched 'Game of Thrones,' where political intrigue often trumped battles. However, many conversations in 'See' lack depth, focusing on personal emotions rather than the gripping themes of survival, power struggles, or epic conflicts. Instead, viewers witness family disputes.

The second season will likely satisfy dedicated fans with familiar faces and ongoing story arcs. Yet, those hoping for improvements over the first season may feel disappointed. The world remains inconsistent, pacing slows further, and characters are preoccupied mainly with domestic drama.

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