Robert Burns Family Flute Sounds Again After 150 Years
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Robert Burns Family Flute Sounds Again After 150 Years

A rare early 19th-century boxwood flute owned by Robert Burns’ son has been restored and played for the first time in 150 years, supporting a campaign to preserve Ellisland Museum and Farm.

Restored Flute Brings Burns' Legacy to Life

A rare boxwood flute, once owned by James Glencairn Burns, son of poet Robert Burns, has been played for the first time in 150 years following a careful two-year restoration.

The instrument, housed at Ellisland Museum since the 1930s, was cleaned and conserved by experts Lydia Messerschmidt and Robert Biglio, overcoming damage from years of storage in a lived-in cottage.

Joan McAlpine, a red-headed woman wearing a white top and pearls, smiles sitting in the museum with a Burns information board behind her.
Joan McAlpine leads the campaign to preserve Ellisland.

Flautist Claire Mann, the only musician permitted to play the rare instrument, gently tested it in the same room where Burns composed many of his songs between 1788 and 1791.

Adam Dickson, a young man with short dark curly hair and a stubble goatee, wears a white shirt as he smiles at the camera standing in front of a row of bookshelves.
Adam Dickson, curator at the Robert Burns Ellisland Trust.

The flute’s public debut took place at a private gathering in Edinburgh, where Mann played Burns songs from the Ellisland songbook alongside vocalist Robyn Stapleton and harpist Wendy Stewart.

Flautist Claire Mann, a friendly-looking woman with long dark hair, smiles as she sits beside the Burns flute, placed on a stand on a table. She wears a black crocheted top and a silver bar necklace.
Claire Mann prepares to perform on the restored Burns family flute.

The restoration is part of "Saving The Home of Auld Lang Syne," a fundraising campaign aiming to raise £7m to secure and transform Ellisland into a creative hub. Supporters include the Pilgrim Trust, National Lottery Heritage Fund and other bodies.

The revived Burns family flute connects modern audiences to the poet’s musical heritage while driving funds for Ellisland’s restoration.

This topic was reported by BBC.

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